I think the American obsession with the British Royal Family is pretty strange-- hell, I think the British obsession with the British Royal Family is pretty strange-- but last night when I was unpacking from a weekend in Chattanooga I turned on PBS and somehow became completely engrossed in an episode of Windsor Castle: A Royal Year. Apparently it's on re-run from 2005 or 2006, but whatever, if it's on PBS and if my shitty rabbit ear antennas don't turn it purple and green and wobbly (and sometimes even if they do), I'll watch it.
This particular episode, "The Banquet," was the first in the series, and centered around French President Jaques Chirac's visit to the castle. In addition to the titular feast, the castle was also abuzz in preparations for a production of Les Miserables. Really, I was only half watching it until this point, but oh my god, apparently I cannot not watch something having to do with that musical. I am the same person I was at age ten when Chattanooga's PBS affiliate showed the 10th anniversary Royal Albert Hall concert performance seemingly on repeat for weeks, and I swear I watched every single showing of it. And I am the same person I was five years ago when I attended every single dress rehearsal and performance of HARP's production of it, ostensibly because Joe was Val Jean and Sarah was, like, Lovely Lady #17, but really because I am secretly/not secretly obsessed with it.
Naturally, because I have watched (and listened to, on both cassette and CD) the 10th anniversary concert so many times to the point that I kind of can't stand any other recording of the soundtrack, I was pretty excited when the Windsor Castle crew interviewed Michael Ball, who played an adorable, blustery, be-dimpled Marius back in 1995. Thirteen years later, he still has the dimple but otherwise seems way too old for the part, but I thought perhaps the Queen was also similarly obsessed with this one production in particular, perhaps having also watched it obsessively all through fifth grade, perhaps having also awkwardly asked her mother what a prostitute was, and could not bear to see any other strapping young man play Marius, to the point that she would drag in a nearly middle aged Michael Ball just to suit her own whim.
I was totally fine with that. But then they cut to footage of the cast preparing for the performance, including Michael Ball himself being outfitted in a gray, grizzled beard. He wasn't playing Marius-- he was playing Val Jean. My head exploded. They showed a clip of the scene where he confesses his identity to Javert. "I'm Jean Val Jean!" he bellowed, but I'm like, no, no you're not, you're little Marius, and you'll always be little Marius, Val Jean does not have a dimple, plus Val Jean is Colm Wilkinson, and he had a real beard because he is a real old man.
Anyway, I have to wonder if PBS knew this was going to happen-- that by roping in viewers during adolescence with repeated airings of this one episode of Great Performances they were guaranteeing themselves an audience fifteen years down the line for re-runs of a three-year old documentary about some silly vestigial monarchy and its elaborate musical theater productions. That's why they're PBS. Because they are smart.